Sometimes our acts are misunderstood and misinterpreted, generating an erroneous reading of what can arise from a confusion, a reaction, or a priority. Not all acts are premeditated; on some occasions, it is the circumstances that generate chaos.
How is a villain or a hero born? There are leadership positions occupied by figureheads, and in this case I mean the Wizard of Oz: "I give them what they want, not what I actually am." Does this make him a faker or, on the contrary, a martyr?Wicked is the untold story of the Wizard of Oz, the birth of the wicked witch, and everything that happened before Dorothy. It is a story of tricks, deceptions, appearances, and differences, where difference makes us as strong as it does vulnerable. But it is also a story of persistence, character, and sacrifice; a story of identity and love.
Even before arriving at the Gershwin Theatre, you begin to feel as if you are in a dream. The advertising, the magnitude of the theater (being the largest on Broadway with a capacity of 1,933 seats), the souvenir shops, the scenic elements in the hallways, the small-scale model of the set, and the joy of the attendees make this experience a magical evening, and we are only at the entrance.
Now located in our seats, we find ourselves immersed in a cinematic universe clearly created by Universal Pictures, the great house behind this mega-production. Above us, a large articulated dragon with extended wings and eyes of fire covers the entire mouth of the stage, framing the curtain which is a large parchment with the map of Oz. On the sides, and covering almost the first 6 rows of the theater, there are large pieces of clockwork machinery and elements that place you in the story. The play hasn't even started and we are already overstimulated to live this great adventure.
The musical begins and the first thing that surprises us is Glinda descending in her great bubble and confirming the death of the wicked witch of the west. By the way, we learned that this device is inspired by a Victorian-era soap bubble machine, and of course it also produces bubbles. However, it may be that Broadway spoils us with the grandiosity of its modern productions, or perhaps this particular device merits an update. Either way, it does its job but leaves us wanting more.
We meet the citizens of Oz who celebrate the news of a villain's death with jubilee until a girl asks Glinda if it is true that she knew the bad witch, and there begins our journey to the past to tell this story.
Wicked is a dreamlike tale with a display of more than 30 artists on stage. These actors, dancers, and singers make us live this fantasy with dynamism, virtuosity, and great precision. Everything is designed and functions like a great "Clockwork" mechanism.
This mechanism is a feat of theatrical architecture designed by Eugene Lee that allows for changing locations in seconds, where bridges, pits, and aerials flow without any mishap, delighting us with great skill. Added to this is the powerful orchestra that has more than 23 musicians in its pit and, between wind, brass, strings, and percussion, offers us one of the greatest soundtracks on Broadway.
The cast in general is extraordinary. In addition to her talent, the work with total dedication and passion from Lencia Kebede playing the role of Elphaba enchanted and moved us from start to finish. People of the world, we were all Elphy, our strength lies in our differences.
Then there is Allie Trimm, who apart from dancing, singing, and acting with great virtue, stands out for her comic physicality. Her body and voice work make you fall in love and forgive the superficial flaws of Glinda.
The work of these two actresses is beautiful, as they make a very good pair with interpretations full of contrast and great detail.
The work of NaTasha Yvette Williams and Daniel Quadrino also stands out, embodying the characters of Madame Morrible and Boq respectively. They bring much charisma, color, and charm with dramatic and surprising twists that enrich our journey. It must be said that the entire cast was on point.
Wicked the musical is an unforgettable experience. Although it was not so well received at its premiere, today, 23 years later and even with the recent release of the movie version, it is considered one of the most successful products in the history of musicals.
While after seeing the movie we might want an update of the Broadway show, perhaps it is this same vintage flavor that generates nostalgia and turns Wicked into a contemporary Broadway classic. It is an extraordinary journey that questions the suitability of authorities and authenticity versus popularity, and it invites us to think about our acts as an individual before merging into the crowd. In the words of Madame Morrible herself, “Never apologize for your talent”, instead we should own it and not shrink ourselves into the background.
More information and tickets available at https://wickedthemusical.com/
Wicked is a dreamlike tale with a display of more than 30 artists on stage. These actors, dancers, and singers make us live this fantasy with dynamism, virtuosity, and great precision. Everything is designed and functions like a great "Clockwork" mechanism.
This mechanism is a feat of theatrical architecture designed by Eugene Lee that allows for changing locations in seconds, where bridges, pits, and aerials flow without any mishap, delighting us with great skill. Added to this is the powerful orchestra that has more than 23 musicians in its pit and, between wind, brass, strings, and percussion, offers us one of the greatest soundtracks on Broadway.
The cast in general is extraordinary. In addition to her talent, the work with total dedication and passion from Lencia Kebede playing the role of Elphaba enchanted and moved us from start to finish. People of the world, we were all Elphy, our strength lies in our differences.
Then there is Allie Trimm, who apart from dancing, singing, and acting with great virtue, stands out for her comic physicality. Her body and voice work make you fall in love and forgive the superficial flaws of Glinda.
The work of these two actresses is beautiful, as they make a very good pair with interpretations full of contrast and great detail.
The work of NaTasha Yvette Williams and Daniel Quadrino also stands out, embodying the characters of Madame Morrible and Boq respectively. They bring much charisma, color, and charm with dramatic and surprising twists that enrich our journey. It must be said that the entire cast was on point.
Wicked the musical is an unforgettable experience. Although it was not so well received at its premiere, today, 23 years later and even with the recent release of the movie version, it is considered one of the most successful products in the history of musicals.
While after seeing the movie we might want an update of the Broadway show, perhaps it is this same vintage flavor that generates nostalgia and turns Wicked into a contemporary Broadway classic. It is an extraordinary journey that questions the suitability of authorities and authenticity versus popularity, and it invites us to think about our acts as an individual before merging into the crowd. In the words of Madame Morrible herself, “Never apologize for your talent”, instead we should own it and not shrink ourselves into the background.
More information and tickets available at https://wickedthemusical.com/